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Bright colors and pattern interacting with form are key elements to much of this new work. Produce bags are stretched over ceramic forms to create geometric patterns. She calls the long skinny neck work “Kiwi-quitos” because of the resemblance to the proboscis of a mosquito and the long beak of a kiwi.
A sodium silicate crackle texture was used on the lidded vessels glazed in dark blues, greens and purples and on the more organic work which is the result of aluminum foil or paper clay saggar firing.
